Pat Fiorello - Art Elevates Life
Art & Inspiration from professional artist and instructor Pat Fiorello. Pat is known for her romantic landscape, garden and floral paintings in oil and watercolor. Her paintings often depict beautiful places like Italy and France. Pat teaches painting workshops in the U.S., Caribbean and Europe. She is passionate about inspiring others to include art in their life. Whether creating it or simply appreciating and enjoying it, there are so many ways that art elevates life!
Friday, January 29, 2016
Monday, January 18, 2016
16 x 20 Oil Painting
by Pat Fiorello
First larger still life of the new year. Went to the flower wholesaler to get some lovely fresh roses on a cold winters day and set them up in my studio. The set up is pictured below.
Sunday, January 17, 2016
|Rose Study 1|
8 x 10 Oil Painting by Pat Fiorello
Sunday, January 10, 2016
16 x 16 Oil Painting
by Pat Fiorello
Very different from my usual more direct, "alla prima" approach, this one was started with a board covered in grey gesso ( actually a gessoboard panel that is on top of a 2 inch deep frame for a gallery wrap type effect- you can buy these pre-made in the art supply store).
After that I painted out the darkest shapes with a black acrylic underpainting, then added the lightest shapes with a white acrylic underpainting. so the net effect is all the midtones are the original grey showing thru. This is sometimes referred to as a grisalle- a monochromatic value pattern underpainting.
Once that all dried, I started developing the flower starting with a petal and then moving to adjacent petals. The first pass was still not quite where I wanted it so I waited till the first layer was dried and then applied another layer of paint over the whole painting. I added a few leaves and suggestion of some others for a simple background and added a few touches of the stamen colors for a bit of detail.
I'm glad I went thru the effort to try this approach. I have to say it's not as much fun for me as the more direct method ( which requires less patience and more immediate gratification), but I do like the effect of light. It does force you to slow down and compare shapes of value relative to one another. So while I might not "convert" over to this approach, there are things I've learned that I believe I can integrate into a more direct approach. And it's always good to have options on how to approach the next painting challenge.
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