Pat Fiorello - Art Elevates Life

Art & Inspiration from professional artist and instructor Pat Fiorello. Pat is known for her romantic landscape, garden and floral paintings in oil and watercolor. Her paintings often depict beautiful places like Italy and France. Pat teaches painting workshops in the U.S., Caribbean and Europe. She is passionate about inspiring others to include art in their life. Whether creating it or simply appreciating and enjoying it, there are so many ways that art elevates life!

Tuesday, April 25, 2017

Bursting with Love

"Bursting with Love"
16 x 20 Oil Painting
by Pat Fiorello
SOLD
The latest of my "Forever  Bouquet Paintings" going to a beautiful bride, Caity, in Florida.

This romantic garden style bouquet was created by floral designer Sue Bain of Signature Florals in Fort Myers Florida. She did an absolutely breathtaking job with the selection and variety of flowers and textures. You can learn more about Sue's services at: http://www.signature-florals.com/.

To see more of my bridal bouquet paintings, visit http://patfiorello.com/wedding_bouquet

Contact me if you'd like to commission a painting as a gift for someone you love.

Monday, April 3, 2017

Synergy

Synergy
12 x 12 Oil Painting
by Pat Fiorello



When painting flowers  in oil, I typically follow one of two general methods. One I will call an impressionist approach ( I was first introduced to it by Hedi Moran and later learned a similar method while studying with Ovanes Berberian).   The other, is what I will call a traditional approach, which I learned studying with Dennis Perrin.

Both approaches are effective and enjoyable.  I've done studies in the past on the same subject painting it with one method and then painting a 2nd version the other way to see how different the results actually are. 

Over the years, I've actually done the same painting using several different methods a few times,  each time expecting to see a vast difference in the outcome. Frankly,  while the process is different, there really isn't that much of a difference in the final outcome on the canvas.  Maybe part of that is you are the same artist, with the same brushstrokes, color tendencies etc.. So I've pretty much concluded,  you have to have a strong composition, clean colors, careful planning of and attention to values and a variety of edges plus what I'll call the X factor ( which is your own passion, excitement for the subject and personal vision/ intention for the painting- why you decided to paint it) to have a strong result.  All methods eventually address each of these areas,  some just emphasize a particular aspect or sequence things differently. So at the end of the day, you get to a pretty similar place, you might just have taken a different route.

What I did for this particular experiment was explore what would happen if I  combine the 2 methods. In other words, bring together the best aspects of each of my 2 favorite methods. The impressionist approach stresses color first with bold, transparent loose underpaintings and the traditional approach emphasizes simple abstract value shapes allowing for refinement of color later in the process.

Below are some steps along the way in attempting to combine elements of both approaches into my own approach. It may have added another step to the overall process, but I was pleased with the outcome and felt it gave me the best of both worlds to combine the 2 approaches.

I think if I would have tried this as I was initially learning either method it might have been overwhelming to combine different methods, but since I've been painting with both approaches for awhile, it took some concentration, but was manageable. 

So if you are new to painting, you may want to stick with one approach to build that muscle and confidence and then build on that by experimenting with other methods. No matter what be patient. Some of these experiments work, some don't and you end up scraping off a lot of paint and starting all over again. But the more your experiment, the more you will learn and the more tools and confidence you will have in tackling any painting subject you desire.
Who knows what you may discover?

Happy Painting!


                             








Thursday, March 30, 2017

Rose Study #3

Rose Study #3
6 x 8 Oi Painting
by Pat Fiorello
$100

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Rose Study # 3-  with each study in this series, I'm trying to do something a little different to explore some different directions and possibilities. Took a little different approach with the background on this one compared to studies 1 & 2.

Wednesday, March 29, 2017

Rose Study #2

Rose Study #2
6 x 6 Oil Painting
by Pat Fiorello
Second in current series of small individual rose studies.

Monday, March 27, 2017

Rose Study #1


Rose Study #1
6 x 8 Oil Painting
by Pat Fiorello
Continuing my studies of roses, here's the latest...
With some preliminary steps along the way





Sunday, March 26, 2017

Holiday Floral

Holiday Floral
10 x 14 oil painting
by Pat Fiorello
$425
It may be getting close to Easter, so it feels a little strange to be painting a Christmas type subject, but I was asked to submit some artwork for a floral-themed card for the 2017 holiday card line of American Artist Group, a greeting card company who has published several of my paintings as cards over the years. I didn't have access to holiday flowers at this time of the year, but made this idea up from a combination of imagination, silk flowers and my own photo's from past holidays.

Click here to see my boxed floral card collection published by AAG.